Less than 24 hours left on the Kindle countdown deals for both Nobility Among Us and Selected Verse: Heroes and Wonders (the deal for Beyond the Mist will continue for an extra two days, the price for Selected Verse – Faith and Family is permanent). Grab them while you can!
James Sale, of the Society of Classical Poets, had this to say about Selected Verse- Heroes and Wonders:
Poetry is a delicate balance of language that is prone to either too much yin or too much yang; or put another way, as the poet steers his or her course like Odysseus towards his true soul, Penelope, waiting at home, he must venture through the double danger of Scylla on the one side and Charybdis on the other. The danger is either writing the yin of non-poetry which we often call free verse—though it is neither free (pure prose with lines) nor verse (since structure-less)—or writing the yang of verse, an over-emphasis on conventional forms, dead tropes, and language reminiscent of past centuries rather than the living vernacular of today.
Some of the most popular poetry revered today veers so dangerously to the yin side that, like Odysseus’s devoured crew, the audience of poetry dwindles as well; people can’t tell if what they are reading is prose or just a cruel joke that academia has played on their seemingly sophomoric intellects. Ben Zwycky’s collection, Selected Verse: Heroes and Wonders, is a daring reversal of direction of the ship’s helm, careening us toward a different monster in a maneuver that is both thrilling and at times unsuccessful.
Heroes and Wonders is, as his title indicates, generally an excellent collection of verse: full of wholesome sentiments, familiar themes of love, honour, resisting evil, and at its best has some pithy aphoristic expressions. Indeed, his best verses are his shortest ones. His final verse, “The Beast,” is some 17 pages long and in my view far too extensive to be readable; but contrast that with “Days,” the second poem in the collection. The opening stanza shows Ben at his best:
Days of wonder, days of hope,
Days that help you learn and cope;
Days of refuge, days of peace,
Days that give your heart release.
The simple repetition, the pleasing and easy rhymes, all help convey a sense of goodness and strength, and the anaphora of Days in the quatrains suddenly breaks free of that structure in a final concluding couplet, which gives the poem a nice symmetry:
Each new day is heaven-sent,
Make every day a day well spent.
The final couplet indeed could become a mantra for the kind of people I meet in my own other specialist field of management consultancy: specifically, time management gurus who will love it!
Within this simple goodness and strength, there are also gems that paint, not exquisitely but with the right breadth, the universal longing of the human soul without obtrusive preachiness; for example, these lines from “Beauty’s Message”:
All flowing from the source of all, who we’ll see face to face,
Where holiness is merged with love as justice is with grace.
There is our true purpose, there is our true home;
That is why down here on earth our hearts will always roam.
But in all this there is a sense of predictability, both in the subject matter, the approach to the subject matter, and the forms themselves. Whilst I am a great advocate of the importance of rhyme in and for poetry, the poet must always master rhyme and not be subjected by it.
Unfortunately, in some of Ben’s verse the rhyme has clearly taken control of the meaning rather than the other way round. So, in his poem “The Wise Men” we get:
This all our fathers saw and knew,
Most honoured gospel scribe Matthew.
We know their tale is one small part
Of a greater work of art.
We have here two issues: in the first couplet the oblique (oblique here meaning the rhyming of a stressed with an unstressed syllable) rhyming of knew/Matthew, which seems strained, and the effect of such an oblique rhyme being comic rather than serious; and in the second couplet the sheer conventionality of the two masculine rhymes so close together.
But that aside, if you like verse with simple diction, pleasing rhymes, heroic and moral themes, then this book could well be for you.
My response (which I have posted there) is as follows:
Thank you for the kind words, James.
It is indeed my goal, as a member of the superversive literary movement to create entertaining work that encourages virtue, courage and a sense of beauty and value, to fight against nihilistic drudgery and build up the foundations of civilization.
I am a flawed writer with almost no formal training in poetry, there are no doubt a few instances of my sacrificing content too much to fit a rhythm or rhyme. However I find it interesting that you pick out that stanza from “Wise Men”, since the situation there is actually the other way around. The structure was sacrificed at this point because of the content and historical context, they are the key to the purpose of my writing the whole piece.
It was inspired by the intriguing possibility (with some scholarly support) that the source of the Matthean birth narrative is the Magi themselves, and that Matthew obtained this knowledge by meeting with their sons. The poem is then something of a dramatization of what that encounter could have looked like, with the sons recounting the oral tradition they received from their fathers, and then asking what it all meant.
In those days oral traditions were often crafted into verse, or used puns, thematic patterns, vivid imagery and other linguistic tricks to aid their memorisation. For the original Magi, this very unusual adventure would have raised a large number of questions: all the intrigue, the signs in the sky, the further signs they no doubt heard about from talking with Joseph, all for a baby born in a pauper’s stall? They knew that something of major significance was going to come from all of this, and the great adventure they had been part of was only the beginning, one small component of a divine masterwork.
Decades had passed since any news of the supposed king of the Jews had been heard, the original Magi had almost certainly passed on by the time Matthew came along to gather additional material for his biography.
The sons would have joyfully repeated the flowing, artfully sculpted and polished oral tradition they were taught and then, with trembling lips at the prospect of their great questions being answered (perhaps compounded by only sharing a second or third language with the former tax collector, since they lived a long way from each other), slightly stumble over their words as they summarise “That is what our fathers told us, we know that there is much more to this than what we have heard. We have helped you, now please tell us the fuller story that you have, so that we can know what our fathers longed to understand all these years.”
The whole poem is building up to that life-changing moment for them.
Perhaps I could have conveyed this more clearly in the work itself, but that is what I was attempting to do.
If you’d like to take a look at the full collection, click the image below:
I had the privilege of meeting up with Larry Correia on the last stop of his European book signing tour. He seemed pretty excited to receive a signed copy of Beyond the Mist from me, as I got him to sign my copy of his excellent fantasy novel Son of the Black Sword (John C. Wright’s foreword in my book was a big selling point for him).
He was already well aware of Sci Phi Journal and SuperversiveSF.com, and I took a few messages from the rest of the SuperversiveSF crew, so he was happy to see me and I had a nice chat with him and his good lady about Prague, their experiences on their tour, family life, writing and a little about this year’s Sad Puppies campaign. It was a fun time and I look forward to hearing what Larry thinks of my little book, since many of us know how much weight a recommendation from him can carry.
In other news, The 2016 Journal of the Society of Classical Poets came out this week, featuring one of my poems.
They will also be posting a review of my latest poetry book Selected Verse – Heroes and Wonders in mid-May, so I look forward to reading what they think of that collection.
My first consignment of Selected Verse – Heroes and Wonders arrived this morning, and despite the overcast day, I managed to get a decent snapshot of the paperback in (almost) all of its glory:
As you should be able to tell from the above image, the text-free spine looks very nice indeed.
The price of the kindle ebook version has been reduced to $1.99 (with all other territories reduced accordingly) and the same will be done for my other poetry collection once the system allows it (30 days after the end of the kindle countdown deal).
The first batch of paperback copies of Selected Verse – Heroes and Wonders is on its way to me and the paperback is now available for sale in all amazon categories. When it arrives I will be sure to post a picture of how they look in the flesh, but in the meantime, I thought I would post my approved image of what the full paperback cover looks like (I’m excited to see whether the spine will look as good as this image promises):
You may notice the Zwyckyverse blog symbol on the back cover, this was the winning design voted on by readers of the blog in a poll I conducted a while ago, and has also been incorporated into my first piece of merchandise, official Zwyckyverse pens:
The above photo doesn’t really do them justice, these are high-quality pens, very sturdy and comfortable to hold, and they write very smoothly, I’m very happy with them. They will be used for advertising this blog and as thank you gifts to some of my loyal readers who buy paperbacks directly from me. I enjoyed handing some out at the weekend and seeing the smiles on people’s faces, and and look forward to being able to do so again in the future.